UnderThePynfluence

"Danielle Steele-meets-Pynchon-meets-Napoleon"

2006-11-12T11:05:00.000-08:00

Marisha Pessl's self-description:

"I like Zadie's writing, so that's a compliment, but obviously as a
novelist you want to forge your own path, even if it's a tiny path in a dark
corner of a yard no one will enter willingly except a few squirrels.
Personally, I see myself more as a Danielle Steele-meets-Pynchon-meets-Napoleon
Dynamite. But that's just me."

Why not Napoleon Bonaparte?

http://www.nowtoronto.com/issues/2006-10-19/books_feature3.php

Thanks to Ya Sam for posting this to Pynchon-l.

paul di filippo posts "World Wars III" in pynchon-l archives

2006-11-06T14:41:00.000-08:00

...sez Paul:

Foax--because the subject's been raised, I'm taking the extreme liberty
of posting my story "World Wars III" to the list. It stars Our Boy.

It originally appeared in 1992 in the UK zine INTERZONE, and then in my
collection LOST PAGES.

The graph breaks are a little screwed up, because I had to dig up the
file from an old computer and software. Hope it's still readable.

Thanks for your indulgence.

http://www.waste.org/mail/?list=pynchon-l&month=0611&msg=110042&sort=date
http://www.waste.org/mail/?list=pynchon-l&month=0611&msg=110043&sort=date
http://www.waste.org/mail/?list=pynchon-l&month=0611&msg=110044&sort=date
http://www.waste.org/mail/?list=pynchon-l&month=0611&msg=110045&sort=date

laura warholic: or the sexual intellectual by alexander theroux

2006-10-28T18:46:00.000-07:00

...sez Amazon.com:

A brilliant satire from one of the great novelists of his time.
In his first novel in nearly twenty years, Alexander Theroux, National Book Award Nominee, returns with a compendious satire, a bold and inquisitorial circuit-breaking examination of love and hate, of rejection and forgiveness, of trust and romantic disappointment, of the terrors of contemporary life. Eugene Eyestones, an erudite sex columnist for a Boston cultural magazine, becomes enmeshed in the messy life of a would-be artist named Laura Warholic, who, repulsing and fascinating him at the same time, becomes a mirror in which he not only sees himself but through which he is forced to face his own demons. Not only does she inadvertently supply him with material for his columns, but she exemplifies all that Eugene considers wrong with contemporary America (of which the publishing profession and its recognizable denizens serves as a microcosm)—a garish and dunce-filled Babylon that Theroux scorches with inventive and relentless satire. Nostalgic for the old days and old manners, a way of life lost to grace, loving from afar a mysterious beauty named Rapunzel Wisht, Eugene fights against the rising tide of stupidity, focusing on Laura in the hope that by saving her he can validate his ethical beliefs. But feckless Laura and the colorful but bizarre cast of characters surrounding Eugene—brilliant bigots, nihilists, Generation-X slackers and zanies of all sexual persuasions—threaten to pull him under, leading to the novel's unforgettable conclusion, a climax of betrayal and redemption of Dostoevskyan power.

As in all of Theroux's works, his maximalist and pyrotechnic prose style and searching intellect are the chief attractions, capable of outrageous comedy, nuanced philosophical discussions, winsome love scenes, flame-throwing tirades, subtle theological musings, and an unflinching genius for a profound if merciless look at the human condition. Horrifying and hilarious, damning and demanding, Laura Warholic in its uncompromising power will surely be one of the most talked-about novels of the season, and for years to come.

About the Author
Alexander Theroux is the author of three highly regarded novels—Three Wogs, Darconville's Cat, and An Adultery—and of several books of essays, fables, and poetry. He lives in West Barnstable, Massachusetts, with his wife, artist Sarah Son.

Hardcover: 600 pages
Publisher: Fantagraphics (March 22, 2007)
Language: English
ISBN: 1560977981

surveillance by jonathan raban

2006-10-28T10:53:00.000-07:00

Thanks for Dave Monroe for posting this to Pynchon-l:

Surveillance, by Jonathan Raban
Clueless in Seattle as the age of paranoia dawns
By Pat Kane
Published: 27 October 2006

In an era where we can access any current affair from
a thousand different viewpoints - the blog comment,
backed up by the YouTube clip, discovered in the
e-mail newsletter that makes it to SkyNews - one feels
like cheering wildly for an old-fashioned "social
novel" like Surveillance. To sit with an artful,
humane narrator like Jonathan Raban, and share his
concerned gaze at an America gone nearly mad with
paranoia, is time well spent. This is the second in
his trilogy of Seattle novels, the first being the
dot-boom threnody Waxwings. By now it's clear how
Raban wants to filter the maelstrom of this United
States of Insecurity.

[...]

... Remember all those paranoid postmodern conspiracy
fictions: Pynchon, Ballard, DeLillo? Now, all it takes
is a classical realist in Seattle to walk the streets,
watch the news, listen to the conversations, and you
get the same effect. Surveillance is as useful and
eloquent a meditation on the extremism of the present
as you would wish to curl up with on a long weekend.

http://enjoyment.independent.co.uk/books/reviews/article1930755.ece

Jokerman 8

2006-10-26T18:25:00.000-07:00

That's the title of this intriguing new novel just received, from Richard Melo. We'll review it as soon as possible. Info @ Soft Skull Press

under the pynfluence: Nina Marie Martinez

2006-10-26T18:21:00.000-07:00

...sez today's San Francisco Comical, in an article about three SF Bay Area novelists who received the Whiting Writer's Award:

Nina Marie Martinez was born in San Jose, the daughter of a first-generation Mexican American prune-picker-turned-building contractor and a German American stay-at-home mother. A high school dropout, she was a single mom at 20, supporting herself and her daughter by reselling flea-market finds. Soon, she was a vintage-clothing maven and decided to go back to school to study business.

"All I knew was that I needed money, and if you needed money, you studied business," she says. But taking general education classes reminded her of one of her first loves, literature. (The other was the Giants.)

So she went to UC Santa Cruz to study literature. That's when she started hearing voices.

"They weren't trying to make me do bad things or anything," she says, laughing. "These women were having a conversation in my head, and I started writing it down." That conversation was the spark for her debut novel, "Caramba!: A Tale Told in Turns of the Cards," published in 2004 by Knopf.

"When I wrote 'Caramba!' I felt like I was writing the great American novel," she says. "Not too long ago, this was Mexico. My ancestors roamed these lands for hundreds of centuries."

The book takes traditional Mexican Loteria cards as pivot points -- and illustrations -- for the assemblage of a high-energy plot. Publishers Weekly described the novel as "an effervescent, luminous debut."

She cites Thomas Pynchon and Vladimir Nabokov as two of her literary influences, particularly while writing "Caramba!" "The funny thing is, my favorite writers are white males and most of them are dead," she says, noting that Latina authors are too often stereotyped. "They think we're all sitting in the corner reading 'One Hundred Years of Solitude.' "

Martinez lives near the Santa Cruz boardwalk with her 16-year-old daughter and two Chihuahuas and says she will never forget the professor who said that the most interesting fiction is written by people who speak more than one language.

"My girlfriends and I have always switched back and forth from Spanish to English," Martinez says. "When these two languages intermingle, they're both changed. Language is pliant. It can move and shift without breaking."

Her next novel, coming out in 2008 from Knopf, is the story of a girl who survives a difficult childhood and becomes the queen of the flea market. "When you write a book, there are books that you hold close to your heart," she says. Just now, she is reading "Tropic of Cancer" by Henry Miller and "Down and Out in Paris and London" by George Orwell.

"What does it mean to be down and out, but living artistically?" she asks. "My new book is dedicated to the discarded, people who've been thrown away. I am drawn to things and people whose peculiarness or beauty goes unappreciated by the vast majority of society."

Caramba!: A Tale Told in Turns of the Cards